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Scott J. Of relevance here are the following chapters. These are the chapters on Mary Robinson and Mary Wollstonecraft. Kathryn S. Arguing that this period of literary history in Anglo-Indian culture is pre-colonial, not colonial or postcolonial, Freeman analyses a range of novels, plays, and poetry by women in the period to uncover their critique of Western dualism, and the binaries relating to reason and emotion, masculinity and femininity, authority and submission, within their encounters with Indian philosophy, culture, and language.

Elsewhere, a fascinating account of the development of a discourse surrounding vegetarianism in the midst of British imperial discourse in India is offered by Marguerite M. From this seemingly simple claim Davies constructs a detailed analysis of the shift from oral or transitory maternal advice to the written authority of educational writers in a variety of genres. Six chapters take us through the writings and authorial development of influential writers: Sarah Fielding, Mary Wollstonecraft, Maria Edgeworth, Jane Austen, and the now obscure Ann Martin Taylor, with a selection of her works from to Through the following five chapters Davies traces the development of this written form of maternal authority and educational discipline in relation to Dissenting culture, empiricism and epistemology, radical politics, and the developing form of the eighteenth-century novel.

That said, after setting out the debate for history and authority in s political and philosophical writings in his first two chapters Richard Price, Edmund Burke, James Mackintosh, Mary Wollstonecraft, Thomas Paine Rooney goes on to devote a chapter to reformist and Jacobin novels, and another chapter to anti-Jacobin and conservative novels. Anne Frey provides an account of Agnes C. John B. Matthew J. Eleanor C. Jason S. George discusses a subgenre of Romantic fiction here, the fictional confession, drawing upon a range of obscure and often outrageous novels from to by authors such as Edmund Carrington, John Ainslie, and Thomas Little.

Nicholas M. The majority of works published on Romantic poetry in focused on individual authors. But there were several general studies in the field of Romanticism that included discussion of poetry. A number of these works are considered in more detail in the Section 1 of this chapter, and so are only briefly highlighted here.

These studies are all discussed in detail above. Two further important studies were published by Cambridge University Press in The pervasiveness of conflict in the Romantic period is of central concern to Jeffrey N. Looking beyond the simple answer, namely that everyone else was doing it at the time too, this fascinating account of canonical poets argues that each writer criticizes the growing imperialism of Europe and the aesthetics as well as the politics of Western expansionism. This year saw the publication of two large critical editions of two relatively non-canonical abolitionist poets.

As well as an abolitionist, Rushton was an accomplished seaman, poet, and bookseller. The effect of this is to emphasize the Liverpool-based Rushton as a writer of merit who exceeds his marginal reputation in British Romanticism, and not simply as a figure of regional, historical, or academic interest. Indeed, this edition, containing all his known works, shows Rushton to be a far more prolific writer of poetry than of prose.

In this light it is tempting to view Rushton as a transatlantic poet, not only for biographical reasons—his seamanship—but because of the transatlantic themes of much of his writing. Although this may partly be due to the nineteenth-century distaste for his radical politics, and the peculiar nature of his posthumous publication, the Popean echoes of this opening passage suggest another reason. Could Rushton, therefore, simply have been seen as unfashionable?

The other substantial critical edition appearing in was the three-volume Collected Works of Ann Yearsley , edited by Kerri Andrews. Elsewhere, Andrews does not allow her research to crowd the poetry and letters by keeping paratextual elements to a minimum. Apart from a few sparse headnotes, Andrews confines details of textual variants, glosses, and contextual information largely to the back of the volume. Whereas Poems, on Several Occasions contained seventeen poems dedicated to one of her two patrons, Hannah More and Elizabeth Montagu, her final volume contained only two such poems to her then patron Frederick Hervey, fourth earl of Bristol.

A poet of the late eighteenth-century so heavily influenced by the much earlier poetics of Milton, Young, Pope, and Gray, however, is always likely to appear stylistically at odds with her more Romantic contemporaries and, at worst, decidedly unfashionable. More and Yearsley are frequently considered as eventual antagonists.

The once collaborative relationship that gave way to rivalry, Andrews argues, was in fact fruitful for both poets. Andrews does not necessarily dismiss these; rather, she considers the significance of the complex role played by patronage in the eighteenth century in relation to all the above. In particular, Andrews notes how it was expected that a patronized poet should show gratitude, not only in private, but in print. Hannah More was also the subject of a short article in In particular, it reminds us of how the Christian conservative More engaged in similar publishing practices, including even using the same publishers, as radical writers.

Turning to individual authors, the most important work on Blake from concerned his religious background. Blake and the Methodists , by Michael Farrell, considers this a very real possibility. But there was a large range of dissenting religious groups at this time, and whilst some adhered closely to one single sect, many others saw and appreciated a commonality witnessed between faiths, and held eclectic views.

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Farrell reads Blake as such a seeker, with heterogeneous religious views and practices. Far from being the extreme radical that criticism has tended to paint him as, then, Farrell finds Blake to be much more typical of the syncretic theology of his time. Paul Miner published three essays broadly built around influence and allusion in Blake in Notes and Queries.

I enjoyed the close attention to detail Miner offers throughout these three short essays. Collectively, they illustrate how Blakean allusion contributes to his powerfully compelling mythology. In , Angus Whitehead offered three short pieces in Notes and Queries on the labouring-class poet that bring further details of his life and work to the surface. Whitehead reveals to us the political context in which Bloomfield operated or perhaps it would be fairer to say in which he tried to operate. He writes eager to secure both literary support and financial assistance from Brydges—who was a writer, patron of the arts, and founder member of the Roxburghe Club.

In the past five years there have been a number of major editorial undertakings on the collected works of Scottish Romantic writers.


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Edinburgh University Press will soon be publishing the Edinburgh edition of the poetry of Walter Scott, a project under the stewardship of Alison Lumsden at Aberdeen, and over the next decade or so we will have the fifteen-volume Oxford Edition of the Works of Robert Burns from the team at the centre for Burns studies at Glasgow, with Gerard Carruthers as its general editor. Here, as editor, Leask brings all his vast knowledge to bear in a series of introductory essays for each item in the edition. In command of his sources and a range of scholarship, he neatly conveys the salient issues for modern readers of Burns, especially useful in the context of these less well-known works.

Leask provides an uncluttered working text, with the accompanying notes given at the back of the volume. At a little over pages, the notes take up a quarter of the volume. But they are a delight, and both inviting and illuminating. To read them in isolation is to find it confirmed just how knowledgeable Burns was about the history, politics, and literature of the British nation, and to see illuminated his deep love of Shakespeare and Pope in particular. Unlike the work of some of those scribblers Burns enjoyed ridiculing, Commonplace Books, Tour Journals, and Miscellaneous Prose is a major piece of scholarship, offering ample new material for Romanticists.

It is a highly accomplished opening to what promises to be a seminal edition of Burns. From the beginning, his verse and song were situated within issues of national identity, celebrated for drawing out and demarcating various cultural memories. Burns initially gained traction on the Continent by way of the German states during the Napoleonic era.

As Jahn Thon shows in chapter 13, though, these issues were of central importance in Norway as Burns contributed to its growing national fervour. As she explains, nineteenth-century Austrian responses to Burns took various forms, and included translations, adaptations, and reviews. Scholars of the German-language reception of Burns have generally overlooked his significance in Austria, however, and Bodammer is effective in explaining the way Austro-German reaction to Burns differs from the better-understood German reception.

Rounding off the German-language reception, Silvia Mergenthal considers the impact of Burns in the context of multilingual Switzerland. Eastern Europe is pleasingly well represented in this collection by a number of insightful essays. This feels a fitting end to a book that details so well the rich migration of Burns.

But his songs were also amongst the earliest recorded music at the beginning of the twentieth century. Focusing on specific historical periods, McCue and Rycroft highlight how European composers and musicians have consistently found Burns to be a personal, political, and musical stimulus. This valuable volume, which combines depth with breadth, illustrates the mixed reputation and continuing importance of Burns in European nations, and is an excellent example of the way reception studies draws attention to the complex interweaving of peoples, periods, and ideas.

McGuirk is keen to re-engage with the elusive and ambiguous elements of his writing. Throughout she saves biographical matters, and political and social contexts, for when she feels they most influence the writing. Frequently in poetic conversation with others, Burns has also regularly been a poet towards whom others have gravitated for inspiration. A chapter on Burns and other Scots poets, meanwhile, highlights the significance of drinking in Scottish verse, from the eighteenth century to the modernist vernacular of Hugh MacDiarmid.

In recent years, however, there has been a gradual formalist turn, with critics engaging with Byron at the level of the reading experience. He thus subtly extends the study of Byronic forms beyond their significance to the Romantic period into questions of the value of literary criticism in modern universities and the wider culture in which they operate. Howe divides his book into six essays, and ends with a coda. These essays perhaps necessarily privilege the later works such as Cain , but most especially Don Juan.

Part II addresses Byron as literary critic, as he reflects on what poetry might offer ahead of any other compositional practice. He is excellent on Byronic nuance, not least those richly suggestive moments performed by punctuation. Eighteenth- and nineteenth-century authors and critics regularly derided publishers as a distasteful feature of literary life. Charles Lamb was not alone in feeling that writers were slaves to the marketization of books propagated by publishers for their own profit. Much less notice has been given to the influence of a single publishing figure as an arbiter of taste, or as shaper of a literary text, or as facilitator of the complex relationship between writer and reader.

As the most significant publisher in the Romantic period, he was also an essential patron of the literary world. His reach extended far beyond Byron to include publishing the Quarterly Review and Jane Austen amongst numerous other achievements. No wonder Wordsworth was eager to be taken on, and even Keats flirted with the idea, so successful was Murray in turning a profit for poets as well as for himself. Sensitive yet piercing in its observations, Byron and John Murray opens up new pathways in the fields of book-trade history and Byron studies.

An independent scholar, Cochran was a leading authority on Byron for decades, and many of these essays have not been published before or even heard in public. Cochran died in May last year. Taylor focuses on a number of speeches by Sheridan from —8, and suggests that Byron self-consciously problematizes any attempt at rendering what was spoken in the past. This is a skilful essay that combines context with intertextuality.

Instead of raking over familiar ground, however, the essay delves into the now little known Fantasmagoriana , the French volume of ghost stories, which, according to Mary Shelley later, had been one of the inspirations behind the contest. Gayle, which reconsiders the comic creative vista that opened up for Byron in once he was more familiar with ottava rima. Byron already knew the form in the shape of works by Pulci, Ariosto, and Tasso. A number of critics addressed Byronic travel, broadly conceived, in Via a series of close readings, Plygawko considers the creative agency at play whenever Byron brings into tension the imagined and the real.

Manfred dramatizes the failure of a Wordsworthian faith in nature for Byron, as Hubbell notes. The brooding Byronic hero is the subject of an article by Gregory Olsen, though with a telling difference. Using the theory of Pierre Bourdieu and others, Shears provides a fresh approach to that typical Byronic paradox: that the poet is most in control when seemingly surrendering to the loss of it. But Kuduk Weiner also has the capacity of drawing out onto a broader canvas. The second part of the book is concerned with the inspiration poets derive from other poets.

The wonderful John Clare Society Journal kept up its high standard with a number of admirable essays. For Salutsky, a time will soon be upon us when we will be able to read more accurately what occurs in the brain during an aesthetic experience, and not only gain a fuller appreciation of what art means for individual pleasure, but also its therapeutic benefits for our wider community. The poetry of George Crabbe was given a special issue in Romanticism this year.

In a fascinating account, Edwards takes us through the various relations and divergences between the Tales and various frame narratives like A Thousand and One Nights , the Canterbury Tales , and the Decameron. Rossington reads this sensibility as subtle, with the tales reflecting several narrative and historical perspectives that rarely take priority over each other and so establish tensions between the time of the Napoleonic Wars, when Tales was first published, and the periods which the narratives inhabit.

For Rossington, the tales therefore invite the reader to identify any political and religious tensions in an English past, while understanding present divisions within that past experience. And while this may provide remedies for repairing social tensions, Rossington argues that it also undermines the very enterprise by suggesting their embedded and repetitive inevitability through history.

It brings into view the specialness of common everyday things so prevalent in much Romantic writing, and in its descriptions anticipates the detail and richness of Victorian novels. Formally, however, it capitalizes on the refinement associated with the heroic couplets of the eighteenth century. This special issue of Romanticism reserves a number of its pages for this vital work.

For Hazlitt, after all, Crabbe was incurably conservative, rarely sympathizing with those he depicted, and seemingly unable or unwilling to question the state of the nation. Lacey is right to point out the curiosity of this critical position, since most of the mature work was published after the seminal date for Romanticists at least of Perhaps the most crucial contribution these essays make to literary criticism is in giving Crabbe an equal footing with more established writers.

But for Murray its philosophical argument, ahead of any detailed engagement with Aeschylus, suggests that by this stage Coleridge was unwilling to engage with tragedy p. He suggests that Coleridge would have been more than capable of advancing tragedy on the stage if there had been more of an opportunity for him to do so. It will be interesting to see how these two strands of Coleridge criticism are taken up further in the years ahead.

In his introduction, Jones notes that focusing on poetic form flies in the face of the current state of Coleridge scholarship. Throughout, Jones is attentive to verse form, both in his perceptive and original close readings of its constituent parts, and as a broader category that might tell us something significant about artistic thought.

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This is a revisionary account of Coleridgean poetics and philosophy. What Jones brings to this notion, however, is the idea that Coleridge philosophized through verse because its form frequently afforded him a particular means of playing with his thoughts. Thomson locates this work partly in the personal context in which Coleridge found himself. As she explains, in the winter of Coleridge was starting to publicly express his unhappiness over his marriage, and his more insecure feelings over the long-term prospects of fruitful relations with the Wordsworths.

Other pieces on Coleridge appeared in Notes and Queries. But Roberts seems to have meticulously traced almost all of those either not glossed or not able to be traced in the Princeton edition of , edited by James Engel and W. Jackson Bate. Despite learning German, Coleridge struggled with Kurrentschrift not least because its representation of a number of vowels and consonants is illegible for anyone more used to Latin script.

Coleridge portrays his difficulties comically. Thomas Owens produced two very different yet equally compelling essays on Coleridge. Mays has said quoted p. A number of scholars, perhaps most especially Peter Swaab, have offered us a portrait of her as polymath: a talented poet and prose writer, and a thinker who engaged with politics, philosophy, and theology. Because of this we are slowly appreciating her as one of the leading scholars and artists of the late Romantic and Victorian eras.

Underpinning this book is a belief in the interrelation between parents and their children. But at its heart this is a biography of, and critical introduction to, Sara, one that deepens our knowledge of its subject in admirable ways. Barbeau reveals her engagement with the key religious and philosophical debates of her time. Much good scholarship continues to be published on the evocative verse of Felicia Hemans.

Two essays appeared in Studies in Romanticism that show the almost limitless ways in which we might read and interpret her poetry. Image of Dionysian inspiration and Christian sacrifice, of physical pleasure and spiritual healing, the motif of the drinking cup has been ebullient inspiration for numerous Romantic writers. These two articles and the works on Yearsley discussed above aside, however, there was on the whole too little published on individual female poets, as is further indicated below.

Michael Edson offers us a new way of approaching the retirement poem in the Cockney School of poetry. Leslie A. Marchand, HarvardUP, 7: The intriguing thing about Keats, Modesty and Masturbation is that Rachel Schulkins uses this idea of Keats self-indulgently playing with his quill to suggest that it can be read as offering a form of social utility.

Schulkins attempts to move from poetic analysis to wider cultural issues throughout her thesis. For Schulkins, this is more typical of the context of the time, which saw masturbation not just as a physical gratification but also indicative of further conditions of the mind. In tracing this aspect of the Keatsian aesthetic, Hill delves into the philosophical underpinnings of the picturesque, specifically the way landscape painting influences the manner in which the natural world is viewed and how in turn it is re-represented in art.

For Hill, Keats is keener on mediated rather than direct experience; and certainly many of his letters and verse back up this idea. For Carmen Faye Mathes, passivity is, paradoxically, a dynamic proposition for Keats. As Mathes states, this essay invites us to think through new ways of reading the productivity that emerges out of Keatsian indolence. Hilton had depicted Keats in a chalk drawing in , but this has long since vanished—something that has frustrated Keats scholars for years. McEathron, though, has discovered that it survives not only in the known Wass engraving of , but also via an copy made by George Scharf.

This valuable essay also makes an important case for giving the rather peripheral figure of Hilton more prominence in Romantic studies. As Wilkinson shows, these poets are very different in a number of significant ways. But each shares a sense of himself as a literal and metaphorical traveller at times seeking the anonymity and even annihilation of the self.

One of the early figures associated with deconstruction, and an important critic of Percy Bysshe Shelley, was the sometime controversial figure of Paul de Man. It is fitting that Kerr-Koch considers de Man alongside Walter Benjamin—a figure who also flirted with anti-Semitism in his life—as readers of Percy Shelley. Too often Shelley is not allowed to speak for himself. Nevertheless, this is an ambitious work that rewards close scrutiny and is sure to be of use to scholars of Shelley interested in recontextualizing his approach to allegory and revisiting the history of Shelley criticism.

Two other articles explore the rich poetic and theoretical legacy of Shelley. What follows is a close reading that is often convincing if not always sufficiently attentive. This is nevertheless largely nit-picking of what is a theoretically stimulating piece that adds to, and contests, the wealth of criticism on the poem. This is not simply historical context, however, as Duffy notes thematic echoes. Yes Please. Amy Poehler. A Good Marriage. Stephen King. This horrifying discovery, rendered with bristling intensity, could be the end of what Darcy though was a good marriage….

The Siren. Kiera Cass. Originally self-published, The Siren has been completely rewritten for this edition. The Little Book of Mindfulness: 10 minutes a day to less stress, more peace. Patrizia Collard. Mindfulness is such a great way to live life to the full. Take my advice, buy it now and you will wonder how you ever managed without it! I love this little book! Lovely little calming book. It has fast become the slow way to manage the modern world - without chanting mantras or setting aside hours of time for meditation.

Dr Patrizia Collard will show you how to bring simple 5- and minute practices into your day in order to free yourself from stress and, ultimately, find more peace in your life. This audiobook will set you and your family on the road of mindfulness so you can lead a more mindful, peaceful and relaxed life. Find long-lasting happiness with The Little Book of Mindfulness! Being in the Now 2. Accept and Respond 3. Making Your Mind Up 4. Simply Be 5. Mindful Eating 6. Gratitude and Compassion 7. Everyday Mindfulness Dr Patrizia Collard is a psychotherapist, mindfulness teacher, stress management consultant and lecturer in psychotherapy at the University of East London.

Dr Collard's wide range of approaches and methodologies includes mindfulness-based cognitive behavioural therapy, rational emotive behaviour therapy, core energy management, existential therapy, drama therapy, yoga and meditation, relaxation, and self-hypnosis. Dr Collard lives in South London. Untamed Cowboy. Maisey Yates. In Gold Valley, Oregon, love might be hiding in plain sight… Some things are too perfect to mess with.

They work together at their veterinary clinic and have been best friends for years. All Systems Red. Martha Wells. For fans of Westworld and Ex Machina. All Systems Red by Martha Wells begins The Murderbot Diaries, a new science fiction action and adventure series that tackles questions of the ethics of sentient robotics.

Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self-discovery and an idle instinct to kill all humans. In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn't a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied 'droid - a self-aware SecUnit that has hacked its own governor module, and refers to itself though never out loud as "Murderbot.

But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth. Steve Harvey. Creative Quest. Deals ending soon.

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Adam Brown. Mere Christianity. Mere Christianity is C. Lewis' forceful and accessible doctrine on Christian belief. First heard as informal radio broadcasts and then published as three separate books-The Case for Christianity, Christian Behavior, and Beyond Personality-Mere Christianity brings together what Lewis sees as the fundamental truths of his religion.

Rejecting the boundaries that divide Christianity's many denominations, C. Lewis finds a common ground on which all those who have Christian faith can stand together, proving that "at the center of each there is something, or a Someone, who against all divergences of belief, all differences of temperament, all memories of mutual persecution, speaks with the same voice.

Troy Denning. A Master Chief story and original full-length novel set in the Halo universe—based on the New York Times bestselling video game series! It has been a year since humanity engaged in its destructive first contact with a theocratic military alliance of alien races known as the Covenant. Now the hostilities have led to open war, and the United Nations Space Command understands virtually nothing about its new enemy.

There are only two certainties—the Covenant is determined to eradicate humanity, and they have the superior technology to do just that. Their designated commander, Petty Officer John, has been assigned to lead the Spartans on a desperate counterattack designed to rock the Covenant back on its heels, and to buy humanity the time it needs to gather intelligence and prepare its defenses. But not everyone wants the Spartans to succeed. A coalition of human insurrectionist leaders believes an alliance with the Covenant to be its best hope of finally winning independence from the Unified Earth Government.

To further their plans, the insurrectionists have dispatched a sleeper agent to sabotage the UNSC counterattack—and ensure that John and the Spartans never return from battle Michael Robotham. Agatha is pregnant and works part-time stocking shelves at a grocery store in a ritzy London suburb, counting down the days until her baby is due. As the hours of her shifts creep by in increasing discomfort, the one thing she looks forward to at work is catching a glimpse of Meghan, the effortlessly chic customer whose elegant lifestyle dazzles her.


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Meghan has it all: two perfect children, a handsome husband, a happy marriage, a stylish group of friends, and she writes perfectly droll confessional posts on her popular parenting blog—posts that Agatha reads with devotion each night as she waits for her absent boyfriend, the father of her baby, to maybe return her calls.

When Agatha learns that Meghan is pregnant again, and that their due dates fall within the same month, she finally musters up the courage to speak to her, thrilled that they now have the ordeal of childbearing in common. Chelle Bliss. Being together was dangerous, reckless, and totally hot. He wanted me. I wanted him. What could possibly go wrong?

On Marriage and Family : Classic and Contemporary Texts

The Richest Man in Babylon. George S. George S Clason is best known for writing a series of informational pamphlets about being thrifty and how to achieve financial success. He started writing the pamphlets in , using parables that were set in ancient Babylon. Banks and insurance companies began to distribute the parables and the most famous ones were compiled into the book The Richest Man in Babylon. It is this book which has etched the name of George S Clason into the history books and has provided generations of readers not just an inspirational classic for reading pleasure but sound practical principles of financial discipline.

This is the most famous of his treasured works. The Richest Man in Babylon is a chapter sketch. Rise of the Valiant Kings and Sorcerers--Book 2.

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Morgan Rice. The 5th Horseman. James Patterson. It is a wild race against time as Lieutenant Lindsay Boxer and the newest member of the Women's Murder Club, attorney Yuki Castellano, lead an investigation into a string of mysterious patient deaths--and reveal a hospital administration determined to shield its reputation at all costs. And while the hospital wages an explosive court battle that grips the entire nation, the Women's Murder Club hunts for a merciless killer among its esteemed medical staff.

The newest addition to the topselling new mystery series takes the Women's Murder Club to the most terrifying heights of suspense they have yet to encounter. Lauren Kate. Perry N. Despite enormous opposition from some political segments and the catastrophic effects of the AIDS crisis, the last five decades have witnessed improvement in the conditions of the lives of LGBTQ individuals in the United States.

As such, the realities and challenges faced by a young gay man coming of age and coming out in the s is, in many profound ways, different from the experiences of a young gay man coming of age and coming out today. Out in Time explores the life experiences of three generations of gay men --the Stonewall, AIDS, and Queer generations-- arguing that while there are generational differences in the lived experiences of young gay men, each one confronts its own unique historical events, realities, and socio-political conditions, there are consistencies across time that define and unify the identity formation of gay men.

Guided by the vast research literature on gay identity formation and coming out, the ideas and themes explored here are seen through the oral histories of a diverse set of fifteen gay men, five from each generation. Out in Time demonstrates how early life challenges define and shape the life courses of gay men, demarcating both the specific time-bound challenges encountered by each generation, and the universal challenges encountered by gay men coming of age across all generations and the conditions that define their lives. The Stonewall Reader. New York Public Library.

For the fiftieth anniversary of the Stonewall uprising, an anthology chronicling the tumultuous fight for LGBTQ rights in the s and the activists who spearheaded it, with a foreword by Edmund White. June 28, marks the fiftieth anniversary of the Stonewall uprising, which is considered the most significant event in the gay liberation movement, and the catalyst for the modern fight for LGBTQ rights in the United States. Drawing from the New York Public Library's archives, The Stonewall Reader is a collection of first accounts, diaries, periodic literature, and articles from LGBTQ magazines and newspapers that documented both the years leading up to and the years following the riots.

The anthology focuses on the events of , the five years before, and the five years after. Andrew Sean Greer. A struggling novelist travels the world to avoid an awkward wedding in this hilarious Pulitzer Prize-winning novel full of "arresting lyricism and beauty" The New York Times Book Review. You are a failed novelist about to turn fifty.

A wedding invitation arrives in the mail: your boyfriend of the past nine years is engaged to someone else. You can't say yes--it would be too awkward--and you can't say no--it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world. What would possibly go wrong? Arthur Less will almost fall in love in Paris, almost fall to his death in Berlin, barely escape to a Moroccan ski chalet from a Saharan sandstorm, accidentally book himself as the only writer-in-residence at a Christian Retreat Center in Southern India, and encounter, on a desert island in the Arabian Sea, the last person on Earth he wants to face.

Somewhere in there: he will turn fifty. Through it all, there is his first love. And there is his last. Because, despite all these mishaps, missteps, misunderstandings and mistakes, Less is, above all, a love story. A scintillating satire of the American abroad, a rumination on time and the human heart, a bittersweet romance of chances lost, by an author The New York Times has hailed as "inspired, lyrical," "elegiac," "ingenious," as well as "too sappy by half," Less shows a writer at the peak of his talents raising the curtain on our shared human comedy.

It's no less than bedazzling, bewitching and be-wonderful. Aristotle and Dante Discover the Secrets of the Universe. Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When the two meet at the swimming pool, they seem to have nothing in common. But as the loners start spending time together, they discover that they share a special friendship—the kind that changes lives and lasts a lifetime.

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New Yorkers grapple with life and death, love and sex, and heaven and hell as the AIDS crisis intensifies during a time of political reaction--the Reagan Republican counterrevolution of the s. Published to celebrate the Broadway revival, this is a unique opportunity to hear one of the most honored and timeless plays in American history. Music by Adrian Sutton. Gigi Gorgeous. Today, Gigi Gorgeous is beloved for her critically-acclaimed documentary, her outrageous sense of humor, her no-holds-barred honesty, and her glam Hollywood lifestyle.

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Ocean Vuong. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are.

The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. I'm Kidding. Ellen DeGeneres. Ellen DeGeneres's winning, upbeat candor has made her show one of the most popular, resilient, and honored daytime shows on the air, and her life makes for great and very funny reading.

Relatable, her first stand-up special in 15 years, airs on Netflix beginning December 18, So I hope that you'll take a moment to sit back, relax and enjoy the words I've put together for you in this book. I think you'll find I've left no stone unturned, no door unopened, no window unbroken, no rug unvacuumed, no ivories untickled. What I'm saying is, let us begin, shall we? I'm Kidding is a lively, hilarious, and often sweetly poignant look at the life of the much-loved entertainer as she opens up about her personal life, her talk show, and more.

Karamo Brown. It comprises every adversity he has overcome, as well as the lessons he has learned along the way. It is only by exploring our difficulties and having the hard conversations—with ourselves and one another—that we are able to adjust our mind-sets, heal emotionally, and move forward to live our best lives. Harry Potter and the Sorcerer's Stone. George R. There his family dwells in peace and comfort: his proud wife, Catelyn; his sons Robb, Brandon, and Rickon; his daughters Sansa and Arya; and his bastard son, Jon Snow.

Far to the north, behind the towering Wall, lie savage Wildings and worse—unnatural things relegated to myth during the centuries-long summer, but proving all too real and all too deadly in the turning of the season. Yet a more immediate threat lurks to the south, where Jon Arryn, the Hand of the King, has died under mysterious circumstances. All are heading for Winterfell and a fateful encounter that will change the course of kingdoms. Meanwhile, across the Narrow Sea, Prince Viserys, heir of the fallen House Targaryen, which once ruled all of Westeros, schemes to reclaim the throne with an army of barbarian Dothraki—whose loyalty he will purchase in the only coin left to him: his beautiful yet innocent sister, Daenerys.

The Hitchhiker's Guide to the Galaxy. Douglas Adams. Where are these pens? Why are we born? Why do we die? For all the answers, stick your thumb to the stars! Characters frolic through the galaxy with infectious joy. Ready Player One. Ernest Cline. When cruel Queen Cerisi's son takes the Iron Throne following the death of its king, Robert Baratheon, the Queen's sons and Robert's brothers battle for control of the realm. Robert's young daughter, Princess Arya Stark, flees the kingdom disguised as a boy, as the exiled last heir of the former ruling family tends to his dragons.

Meanwhile, the guardians of the realm's Wall dwindle in numbers as menacing barbarians gather their forces. Set in a glittering fantasy world enriched by 8, years of history, this baroque jewel captivates with its believable characters, deftly realized magic, and intricate plotting.

The Fellowship of the Ring. Inspired by The Hobbit, and begun in , The Lord of the Rings is a trilogy that Tolkien created to provide "the necessary background of history for Elvish tongues. The Fellowship of the Ring, the first volume in the trilogy, tells of the fateful power of the One Ring. It begins a magnificent tale of adventure that will plunge the members of the Fellowship of the Ring into a perilous quest and set the stage for the ultimate clash between powers of good and evil. In this splendid, unabridged audio production of Tolkien's great work, all the inhabitants of a magical universe-hobbits, elves, and wizards-step colorfully forth from the pages.

Rob Inglis' narration has been praised as a masterpiece of audio. Harry Potter and the Chamber of Secrets. Diana Gabaldon. Outlander, Diana Gabaldon's landmark novel of Scottish lore has captured the hearts of millions of readers around the world and catapulted her to the top of the New York Times best-seller list. Intrigue, danger and desire merge in this lush novel of loyalty and time travel.

In , Claire Randall, a former combat nurse, is back from the war and reunited with her husband on a second honeymoon. Their blissful reunion is shattered when she touches a boulder in one of the ancient stone ruins and is instantly transported to a Scotland torn by war and raiding border clans. Will Claire find her way back to her own time, or is her destiny forever linked with Clan MacKenzie and the gallant James Fraser?

Davina Porter's lyrical narration will launch listeners into an exhilarating world of heroism, pulse-pounding adventure, and breathtaking romance as one woman is torn between past and present, passion and love. Doctor Sleep: A Novel. On highways across America, a tribe of people called the True Knot travel in search of sustenance. They look harmless—mostly old, lots of polyester, and married to their RVs. But as Dan Torrance knows, and spunky twelve-year-old Abra Stone learns, the True Knot are quasi-immortal, living off the steam that children with the shining produce when they are slowly tortured to death.

Finally, he settles in a New Hampshire town, an AA community that sustains him, and a job at a nursing home where his remnant shining power provides the crucial final comfort to the dying. This is an epic war between good and evil, a gory and glorious story that will thrill the millions of devoted readers of The Shining and satisfy anyone new to this icon in the Stephen King canon. The Silent Patient. Alex Michaelides. I read it in a state of intense, breathless excitement. Tom Clancy Enemy Contact.

Mike Maden. Jack Ryan, Jr. The CIA's deepest secrets are being given away for a larger agenda that will undermine the entire Western intelligence community. The clues are thin, and the sketchy trail dead ends in a harrowing fight from which he barely escapes with his life. If that's not bad enough, Jack gets more tragic news.

An old friend, who's dying from cancer, has one final request for Jack. It seems simple enough, but before it's done, Jack will find himself alone, his life hanging by a thread. If he survives, he'll be one step closer to finding the shadowy figure behind the CIA leak and its true purpose, but in the process, he'll challenge the world's most dangerous criminal syndicate with devastating consequences.

The Raven and Selected Short Stories. Edgar Allan Poe. The title work in this collection of twelve short stories and poems is widely regarded as the most famous of Edgar Allan Poe's writings. This unsettling tale in verse tells of a man's slow descent into madness as he mourns the loss of his lover.

The mysterious visit of a talking raven that utters only one word sparks the man's steady decline. Now the inspiration for a major motion picture starring John Cusack, these tales of mystery and terror are here brought vividly to life by Blackstone Audio. Poe, the inventor of the modern detective story, was an expert at weaving suspense and horror into tales that thrill and chill. The Shining. But as the harsh winter weather sets in, the idyllic location feels ever more remote.

And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old. Shutter Island. Dennis Lehane. The 18th Abduction. Detective Lindsay Boxer's investigation into the disappearance of three teachers quickly escalates from missing persons to murder in the newest Women's Murder Club thriller. For a trio of colleagues, an innocent night out after class ends in a deadly torture session.

They vanish without a clue -- until a body turns up. With the safety of San Francisco's entire school system at stake, Lindsay has never been under more pressure. As the chief of police and the press clamor for an arrest in the "school night" case, Lindsay turns to her best friend, investigative journalist Cindy Thomas.

Together, Lindsay and Cindy take a new approach to the case, and unexpected facts about the victims leave them stunned. While Lindsay is engrossed in her investigation, her husband, Joe Molinari, meets an Eastern European woman who claims to have seen a notorious war criminal -- long presumed dead -- from her home country.

Before Lindsay can verify the woman's statement, Joe's mystery informant joins the ranks of the missing women. Lindsay, Joe, and the entire Women's Murder Club must pull together to protect their city, and one another -- not from a ghost, but from a true monster. The Oracle. Clive Cussler. The husband-and-wife treasure-hunting team of Sam and Remi Fargo return in a new adventure as they search for an ancient scroll--which carries a deadly curse--in this thrilling addition to Clive Cussler's bestselling series.

In A. The oracle tells the king that a high priestess cast a curse upon the Vandal Kingdom after a sacred scroll was stolen. In order to lift the curse, the scroll must be returned to its rightful home. But the kingdom falls before the scroll is found, leaving its location a great mystery. The search for the ancient scroll is put on hold when the Fargos learn that a shipment of supplies intended for their charitable foundation's school has been stolen, and they travel to Nigeria to deliver new supplies themselves.

But their mission becomes infinitely more complicated when they run afoul of a band of robbers. The group takes Remi and several students hostage, and there are signs that the kidnapping is related to the missing scroll. The Fargos need all their skills to save the lives of the young girls at the school before they uncover the hidden treasure. Recursion: A Novel. Blake Crouch. Neuroscientist Helena Smith already understands the power of memory.

If she succeeds, anyone will be able to re-experience a first kiss, the birth of a child, the final moment with a dying parent. As Barry searches for the truth, he comes face-to-face with an opponent more terrifying than any disease—a force that attacks not just our minds but the very fabric of the past. And as its effects begin to unmake the world as we know it, only he and Helena, working together, will stand a chance at defeating it.

But how can they make a stand when reality itself is shifting and crumbling all around them? Crouch brilliantly infuses his story with dire repercussions and unexpected moral upheaval, and leaves you wondering what you would do if you had the chance to turn back the clock. Norse Mythology. Supplemental enhancement PDF accompanies the audiobook. Lisa Jewell. And then she was gone. Michelle Obama. As First Lady of the United States of America—the first African American to serve in that role—she helped create the most welcoming and inclusive White House in history, while also establishing herself as a powerful advocate for women and girls in the U.

Along the way, she showed us a few dance moves, crushed Carpool Karaoke, and raised two down-to-earth daughters under an unforgiving media glare. With unerring honesty and lively wit, she describes her triumphs and her disappointments, both public and private, telling her full story as she has lived it—in her own words and on her own terms.

Warm, wise, and revelatory, Becoming is the deeply personal reckoning of a woman of soul and substance who has steadily defied expectations—and whose story inspires us to do the same. Educated: A Memoir. Tara Westover. When another brother got himself into college, Tara decided to try a new kind of life. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge University.

And how much must we betray them to grow up? Andrew G. This program is read by the author. John Carreyrou. A riveting story of the biggest corporate fraud since Enron, a tale of ambition and hubris set amid the bold promises of Silicon Valley. Sapiens: A Brief History of Humankind. Yuval Noah Harari. Extreme Ownership: How U. Jocko Willink. Charles Duhigg. My Own Words. Ruth Bader Ginsburg. My Own Words offers Justice Ginsburg on wide-ranging topics, including gender equality, the workways of the Supreme Court, being Jewish, law and lawyers in opera, and the value of looking beyond US shores when interpreting the US Constitution.

Throughout her life Justice Ginsburg has been and continues to be a prolific writer and public speaker. Justice Ginsburg has written an introduction to the book, and Hartnett and Williams introduce each chapter, giving biographical context and quotes gleaned from hundreds of interviews they have conducted. Listen to a new series. Eragon: Inheritance. Christopher Paolini. Fifteen-year-old Eragon believes that he is merely a poor farm boy—until his destiny as a Dragon Rider is revealed. Gifted with only an ancient sword, a loyal dragon, and sage advice from an old storyteller, Eragon is soon swept into a dangerous tapestry of magic, glory, and power.

Now his choices could save—or destroy—the Empire. Dark Tower I: The Gunslinger. He is a haunting figure, a loner on a spellbinding journey into good and evil. In his desolate world, which mirrors our own in frightening ways, Roland tracks The Man in Black, encounters an enticing woman named Alice, and begins a friendship with the boy from New York named Jake.

Thrawn Star Wars. Timothy Zahn. Now, in Star Wars: Thrawn, Timothy Zahn chronicles the fateful events that launched the blue-skinned, red-eyed master of military strategy and lethal warfare into the highest realms of power—and infamy. Mortal Engines: Book 1. Philip Reeve. Welcome to the astounding world of Mortal Engines! Emerging from its hiding place in the hills, the great Traction City is chasing a terrified little town across the wastelands. Soon London will feed. In the attack, Tom Natsworthy is flung from the speeding city with a murderous scar-faced girl.

They must run for their lives through the wreckage--and face a terrifying new weapon that threatens the future of the world. The Way of Shadows. Brent Weeks. For Durzo Blint, assassination is an art-and he is the city's most accomplished artist, his talents required from alleyway to courtly boudoir. For Azoth, survival is precarious, something you never take for granted. As a guild rat, he's grown up in the slums and learned to judge people quickly-and to take risks.

Risks like apprenticing himself to Durzo Blint.